Alternative music videos stay to the artistry rather than the artist refers to the idea that diverse music videos focus more on the concept of the song, rather than what the artist will gain from producing it. Music videos that are considered diverse tend to stray away from the characteristics that are conventional to specific music genres. The style of diverse music videos are usually different to what an artist would usually create. There are several advantages and disadvantages for an artist who produces a diverse music video. For example, an advantage to them would be that the video is likely to stand out and be more memorable (intriguing). The audience may also see a different side to an artist which could lead to more hype over the video, increasing word of mouth promotion. Another advantage is that an artist may be able to attract a new and wider target audience. Also, most diverse music videos are more focused on a concept, therefore the audience may respect the further meaning that a video has and appreciate the artist's intellectual appeal. However, the disadvantages of a diverse music video are that it becomes difficult for an artist to build a relationship with the audience as it is harder for them to relate to the unusual content, which may also put off new fans. The artist may also be limiting themselves and their song/music to a niche target audience as the unusual content may only appeal to a small group of people. In an extreme case, if fans do not like the change in music video style it may lead to an artist receiving hate campaigns wanting them to go back to their conventional style of music videos. It is very risky for an artist to stray from the norm of their music genre and create a diverse music video, as simply, fans make not like it, which could therefore lead to an artist losing their fan loyalty. Also, the artist may struggle to compete if there are more and more new artists entering the same genre of music. Furthermore, there is the risk that an artist may achieve a bad reputation in the music industry if their diverse music video is too weird or unpopular, which could result in record labels not wanting to work with them. If an artist loses respect and their following, it could also lead to them losing money as they will not be able to sell their music.
Chris Cunningham primarily directs music videos for ambient music and electronica acts including the song 'windowlicker' by Aphex Twins which was nominated for Best Video at the Brit awards in 2000, and in 1998 the song 'frozen' by Madonna which Cunningham directed became an international hit and won an award for Best Special effects. Cunningham's work includes the music videos for 'come to daddy' and 'windowlicker' by Aphex Twins, both of which are very controversial and clearly do not fit into the mainstream, however, both videos combined have been viewed on YouTube over 4,000,000 times which is arguably due to how easy the application is to use and how it enables videos to be watched on a worldwide scale. Furthermore, the success of these videos could also be due to the fact that people are attracted to and often buy into controversy and the idea that being different is interesting. Audiences are always keen to see how far an artist is willing to push their creative boundaries, which is arguably what Cunningham helps them to do.
Madonna - Frozen (pop)
Madonna is a well known pop artist, famous for her songs Like A Virgin, Papa Don't Preach and Holiday, all of which are recognisable within that genre, for example, in the music video for her song Material Girls, Madonna can be seen wearing a bright pink ball gown and diamond jewellery, both of which suggest her to be wealthy and fashionable. This conforms to the pop genre due to the fact that pop artists are known for fitting into the mainstream and setting new fashion trends. Other characteristics of the pop genre include bright colours, the idea of girl power and choreographed dance routines. The song 'frozen' by Madonna, however, is arguably the complete opposite of what an audience would expect to see from a pop genre music video. The pop genre is one of the most mainstream genres of music there is, which is arguably why artists within the pop genre make a lot of money that can be spent on making high quality music videos, with the use of green screens and hired out studios, and the ability to afford expensive looking clothing, which is often why pop artists are known for setting new fashion trends and dictating the mainstream. Furthermore, because pop fits into the mainstream, the genre often appeals to the widest of audiences, which further aids a pop artist's ability to make a lot of money. Characteristics that typically conform to the pop genre are girl power music videos, in which the artist will often perform a rehearsed dance routine within a large group or express to the audience a love story within the lyrics, for example, the song 'we are never getting back together' by Taylor Swift embodies most of these aspects. The music video for Madonna's song 'frozen' is arguably very controversial to what an audience would expect to see from a pop artist, for example, the audience are able to see Madonna standing in the middle of an isolated, desert looking place, her body covered head to toe in black clothing, her hair dyed a dark, black colours and lots of crows flying around her. The use of such a remote location is subversive of the pop genre due to the fact that it connotes the idea of mystery and loneliness, however, being within the pop genre the audience would expect Madonna to have a lot of friends and be able to find in more of a luxurious location, such as in a studio with the use of a green screen or somewhere abroad. Furthermore, her appearance in the video is similar to the way you would expect a witch to look, which is also subversive because pop artists are known for wearing revealing, designer clothing which emphasise the idea of pop artists being fashion trend setters. Having said that, the use of this type of clothing arguably makes Madonna appear more relatable, due to the fact that not everyone within the audience will be able to afford designer clothing or may like keeping up with different trends. The audience may appreciate getting to see this different side to Madonna, however, many may not like how different this music video is in comparison to all of her other music videos, and may not be able to identify her as the artist whom they thought she was, therefore this could result in Madonna losing some audience members who were once avid listeners of her music, or, on the other hand, she may attract new audience members who do not like the typical pop artists. Some may argue that the concept behind the music video for the song 'frozen' is that not all relationships are happy and easy going, some can be consuming, manipulative and dark, which is emphasise by the isolated location and use of dark colours. One aspect of the video that is conventional to the pop genre is the idea of a love story based narrative, which is suggested by the lyrics "we'd never be apart" and "give yourself to me" and is often more relatable to the audience who may be in relationships themselves or may find the relationship based videos more interesting to watch because they often give them an insight into an artist's personal life. This is conventional because mainstream celebrities often release books or take part in interviews that serve the purpose of finding out information about them that the audience may not already know, or will be interested to read about them. Another style of video that 'frozen' embodies is mostly performance, where the audience can see that Madonna is standing in an isolated location singing directly to the camera. Performance is arguably conventional to the pop genre due to the fact that pop artists are known for being confident and over the top and most artists will performance for audiences at concerts, therefore this will be the norm for them. This particular music video is more like to grab the audience's attention and be more memorable for them due to how different it is when compared to her other songs and other artists within the same genre, and her change in appearance is likely to get more people talking about her which will increase her exposure and may lead to the song becoming more successful because people will be interested to watch the video for themselves in order to see what everybody else is talking about. Having said that, there is also the risk that some of her fans may not like her change of style and were more able to relate to the way she looked and acted in all of her other videos, therefore they may feel less inclined to want to watch any future videos that she produces, which will also reduce her overall success within the music industry. It may be easier for someone like Madonna, who is well established within the music industry, to change so drastically due to the fact that she has had years to establish a loyal fan base who are likely to stick with her no matter what she does and may view this music video as evidence of her diversity. This video arguably represents Madonna as having more of an independent style, rather than a mainstream one, this therefore suggests that her video will reach a different audience to the one her other music videos that conform to the pop genre do.
Aphex Twins - 'windowlicker'
The genre that 'windowlicker' falls into is electronica, conventions of which include the use of low key lighting and flashing lights in order to imply a club type setting. However, this particular music video does not include the conventions that are typical to what the audience would expect from the electronica genre, for example, the entire video is set in the colours black and white which could connote the idea of the video being old fashioned, however, electronica is a newer, more modern and current genre of music therefore bright lights and bright colours would compliment the perception of the genre more. The first music video I have analysed is 'windowlicker' which although is very diverse and uncomfortable to watch, does include several elements from Goodwin's theory, for example, there is a clear relationship between the beat of the song and the visuals which can be seen during the umbrella sequence towards the middle of the video. Every time the beat changed, the artist moved the umbrella accordingly, which therefore made it appear as though the umbrella was making the sound the audience could hear. This arguably makes the artist appear more talented in the sense that he has the ability to choreograph a dance sequence that compliments the beat of song, therefore the audience may appreciate how hard the artist must have worked to make this happen. This sequence within the video also shows the audience that the music video incorporates elements of performance, due to the fact that the artist can be seen dancing with the umbrella which may also help the artist to appear more talented, which could cause the audience to feel envious of his ability to both sing and dance. Furthermore, there is also a less obvious narrative within the music video which begins at the start of the video with the two guys talking in the car; the use of voice over arguably helps to set the scene for the rest of the music video and song and provides the audience with a background story to relate the lyrics of the song to. The concept behind the music video is the idea that women look for and are attracted to men who have a lot of money, which is evident in the video when the audience can see the two women dismiss the two men in the smaller car who are trying to talk to them, but are more than happy to get into the car with the richer man who pulls up behind the smaller car in a limo and pushes the smaller car out of the shot. This concept conforms to the idea that all musicians within the music industry are rich and have expensive lifestyle, drive expensive cars and are found attractive by a lot of women, which is arguably due to how popular the industry is and how appealing music is on a worldwide scale. This idea may make it difficult for the audience to relate to the music video because they themselves may not make a lot of money and may live more of a simplistic lifestyle, they may also not be as interested in owning expensive goods and may therefore be able to relate to the men in the smaller car more. The music video also includes several visuals of the artist, for example, they first see his face while he is sitting in the back seat of the limo after it crashes into the smaller car, therefore, through the exaggerated size of his car and his ability to be driven around, he is portraying himself as being rich and as having a luxurious lifestyle, this causes him to conform to the music industry as a whole. Furthermore, through their dismissive behaviour, it is implied that the women in the music video are materialistic and are only interested in men who have money, and idea that many of the female audience members may find it difficult to relate to. Also, the audience will be able to see visuals of the artist again on the faces of the girls while they are sitting in the car with him; their faces have been replaced by his own which the audience will find this weird, but may also feel interested to find out why he chose to do this. The video arguably represents the artist as being quite self absorbed in the sense that the video is entirely about him which is made evident by the visuals of him being the one in the bigger car, who gets all of the girls, and his face is seen on some of the other characters in the video, therefore, being constantly reminded of him may make the audience feel as though the entire video revolves around him.
Aphex Twins - 'come to daddy'
Michel Gondry is another diverse music video director who I found that, when compared to the likes of Chris Cunningham takes a more simplistic, relatable approach when producing music videos. He is a French screenwriter and producer who is well known for his inventive visual style and distinctive manipulation of miss-en-scene, which help to bring a music video to life and make the video more interesting for the audience to watch as they give more of a realistic vibe to the video.
The white stripes - hardest button to button
Kylie Minogue - 'come into my world'
The main similarity between the two videos directed by Gondry are that they are both very repetitive, especially through the way in which the artists move around, for example, in The White Stripes music video the artists and their musical instruments duplicate with every beat. Similarly, in the Kylie music video, she and other characters duplicate every time the chorus begins, this therefore means the audience are watching the same visuals over and over again throughout the whole video. Furthermore, both of these music videos also have a very simplistic style to them that the audience will find more relatable.
In conclusion, it is made evident by these music videos that Cunningham's directing style is very eccentric and controversial, and therefore his videos will be directed to more of a niche target audience because only a select group of people will like and be able to relate to the videos that he produces. On the other hand, Gondry takes more of a simplistic, relatable approach with his production style which enables his videos to appeal to a wider audience, and therefore allows these artists to make more money through the sales of their music. Gondry portrays his artists differently to what the audience would expect, for example, the do not have lavish, expensive lifestyles and resemble the everyday person. Having said that, the two music videos analysed are clearly repetitive which some people may find quite boring to watch. I would like for my music video to incorporate aspects from both the styles of directing that Cunningham and Gondry have, for example, I would like for the video to have an edge and a deeper meaning to it, similar to the way that Cunningham's music videos do in order to help it stand out, however, I also want the video to be relatable like the music videos produced by Gondry, which I feel I will be able to do by refraining from using any extravagant props or costumes and have the video set in everyday locations.
An overall very basic analysis of the videos and directors discussed, as you have not covered all of the four points required for each video, talking mainly about genre conventions and the artist's intention.
ReplyDeleteYou need to:
1) Introduce each director before talking about their first video analysed
2) State the ‘original’ genre of the artist and explain how this video is different/diverse to that genre
3) Cover all four areas for each video, with examples: genre conventions, Goodwin's theory, style of video and artist rep
4) Include screen shots to support points made
5) Check SPAG
You have covered all bullet points for each video and introduced each director, making this a good post
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